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The Skylight Music Theatre's production of the opera Zémire et Azor (Beauty and the Beast) included several puppets, which included the titular character Azor, and a wind spirit.  It was all-hands-on-deck in the prop shop to get the puppets built in time for the actors to be able to rehearse with our roughly 7' tall beast, and the 10' long wind spirit.  Throughout this process, I became much more familiar with working with flat patterning and foam, such as L200 as well as working in collaboration with so many people to finish a single project.  Our puppet build team was headed by our shop manager, Lisa Schlenker, and the puppet and scenic designer James Ortiz, who also directed the production.  The mechanics and engineering of the puppets was done by Jessica Scott, and the build team included; Jen Lyons, Meghan Savagian, Maddy Yee, Ana McHenry, Tanya Dhein, Ryan Bennett, Carri Dahl, and myself.  Many of us were given specific pieces of the puppet to work on initially, and then we all came together to complete the puppets.  My initial task was to assemble Azor's paws.